Random Panel: More comics I don’t want to read

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(From "Star Comics" number 5, 1937.)

Random Panel: Skyman predicts the NFL 2009 season in 1947!

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Random Panel: This week in “Leather and Spandex Romance”

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Freelance Friday: Babewatch edition

You don't have to be a filmmaker to know if you like a movie or not, and to offer a critique of it.

You don't have to be an author to know if you like a book or not, and to offer a critique of it.

And you don't have to be an illustrator to know if you like a particular drawing or not, and to offer a critique of it.

Several times on this blog, I've drawn (get it?!) some fire for coming across as too harsh on a given artist or character or series or costume. Which is fine, that's why they pay me the big bucks. But critique is a perfectly valid -- in some ways, an invaluable -- method of refining your own understanding of what you like and, more importantly, why you like it. Any art form can be appreciated (or not) at a gut level, and it's perfectly fine to live your whole life experiencing it there and no further.

But for a subject you love, like me with comics, there's so much more you can get out of it with a little time and effort. Which is why this week, I'm going to give YOU the chance to play critic.

I want you to go to Marvel's site and check out the preview pages at the bottom for Rob Liefeld's "Deadpool" issue 900. And then I want you to come back here and offer a genuine critique of the work. You don't have to be mean, or glowing in your praise, or sycophantic, or snidely hip, or anything other than honest. I want you to look at the pages of what will surely be one of the best-selling issues of the year, and I want you to think about what you do and don't like. Maybe you'll focus on the panel layouts, or the overall page design. Maybe you'll focus on the costumes or the environment, or the dialog, or the way the action flows.

Whatever it is you choose to comment on, give it some thought and give me your reaction to it. You all know my opinion of his overall "oeuvre" at this point, so there's no surprises there, but I don't want this to just be a bash-fest. The point is for you to take something that generates strong reactions in the viewer (which Deadpool 900 certainly should!) and to examine why you react to it the way you do. To articulate what it is you do and do not like.

Criticism gets a bad rap, because it's awfully easy to slip from knowledgeable commentary for the purpose of enlightening your own understanding to schoolyard heckling. But it's an important part of how we understand art, and I think it's very much worth pursuing.

I look forward to hearing your thoughts!

Random Panel: Bad times for out-loud monologues

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(From "Skyman" number 3, 1947.)

META: Out til Sunday

I'm headed to Fort Worth for the Extreme Mutt Makeover challenge with my lovely dog-trainer wife, so while I'll be in touch via the iPhone, I won't be as fully present as usual. I've scheduled several posts to be published in my absence to keep you entertained, though, so hopefully you won't even notice I'm gone. I'll be back some time on Sunday.

Hammerknight’s Recipes: Toon

(With many thanks to friend-of-the-site Hammerknight, who now presents you with suggestions on how you might use the new test Toon body. Enjoy, and be sure to thank him for volunteering his time! Click on an image to embiggen it for legibility.)

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Random Panel: So far it’s just you, me, and Harry Balzac …

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(Not sure where it's from, but I think that's "Red Arrow" maybe?)

Update gone wrong

In honor of last week's contest, which featured some inspired updates of Golden Age characters to modern times, and considering that this is Bad Super Hero Costume Wednesday, I wanted to bring you an example of a professional, real-world update gone horribly, horribly wrong:

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On the left is the original "Hourman", and in my opinion he looks pretty darn good, even to a modern eye. I dig the simple black and yellow color scheme, reminiscent of the moon at night, and the black mask with the cowl, even the authentic hourglass around his neck. He's a cool looking dude clearly ready to kick some villain butt.

Forty years later, however (image on the right), when DC revived the character he looks like someone threw Superman and The Manhunters into a blender and printed whatever came out. Nothing about this costume fits the concept, not even the absurd clock logo wedged between the stylized giant H.

Look, in general if you have a gigantic letter sewn into your outfit anywhere outside the chest insignia region, you're in trouble. Return your clothes to the tailor and ask for your money back, because even though you don't know it, the odds are good you look silly.

Blue and red are overdone, too, and for a time-based guy it just makes no sense. Primary colors are for daytime dudes flying around in the sun, who have enough powers to incinerate anyone who laughs at them for dressing in their PJs. And let's be honest, no metahuman who carries his valuables in a teeny tiny fanny pack pouch attached to his hip is going to be incinerating anyone.

I can't decide what I hate more, the lady purse or the color scheme or the absurd boot-tops-without-a-boot on his feet. Maybe the "Captain America R Us" store ran out of the actual boots, or maybe his wallet fell out of his purse and he couldn't afford the entire set, just the tops, but either way that's just a ridiculous look.

If you look so silly that even someone in a black body stocking with a huge yellow crescent moon on their chest is trying to slink away so they won't be seen with you, you've got yourself a bad super-hero costume, folks.

Never mind a whole hour, I don't even give this get-up the normal fifteen minutes of fame due your average Pauly Shore type. Truly a case of "they should have left well enough alone." Or hired one of you guys to redesign it, because clearly, you're way better at it than the pros, at least in this case.

Random Panel: Great moments in bad names

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