I loved his imagined dialog between Stan Lee and Jack Kirby at the inception of the Super Skrull as well:
Stan Lee and Jack Kirby in the Marvel offices, circa 1963:
Jack: "Geez, Stan, we're 17 issues into this book - who are we gonna have 'em go against *this* time? I'm all tapped out!"
Stan: "How about the Skrulls? Fans seemed to like the Skrulls from issue 2, yeah?"
Jack: "Those guys were stupid, Stan."
Stan: "No, wait! What if we took one Skrull and gave him all the powers of the Fantastic Four! He wouldn't be *just* a Skrull...he'd be...a SUP-AH Skrull!"
Posted onOctober 11, 2010|Comments Off on Character Contest 47 – Weather, weather, everywhere
Your challenge for this week is to create the coolest character in the best illustration possible using any version of the HeroMachine that has something to do with the broad category of "weather". You could just use a name of a meteorological phenomenon like "Zephyr" or "Hurricane", or you could design a weather wizard from a fantasy role playing game, or simply a super-hero with some sort of weather-related powers. Classic examples would include "Weather Wizard" from the Flash comics, "Iceman", "Storm", or "Emma Frost" from the X-Men, the Red Tornado from DC Comics, or so on.
Poor examples would be something like DC's "Geo-Force", who can control the Earth, but not weather; the Human Torch, because fire isn't really related to weather; or The Hulk, who's a force of nature but not a force of weather.
The person with the winning entry as selected by our expert panel (i.e. me) will win their choice of either a portrait or item to go in HeroMachine 3, or a custom black and white "Sketch of the Day" style drawing (also by me). The rules otherwise are the same as always:
All entries must be in JPG or PNG form (BMPs are too big), posted to a publicly accessible website (like ImageShack, PhotoBucket, the UGO Forums, whatever);
Entries must be made as a comment or comments to this post, containing a link directly to the image and the character name;
The image cannot have been used in any previous HeroMachine character design contest -- we had an "Elementals" contest and a "Nature" contest a while back, for instance, and I don't want repeats of stuff you already did for those;
Please name your files as [your name]-[character name].[file extension]. So DiCicatriz, for instance, would save his "Bayou Belle" character image as DiCicatriz-BayouBelle.png.
Please make the link go directly to the image (like this) and not to a hosting jump page (like this). If you see "preview" or "rotate" somewhere in the link you're probably doing it wrong.
All entries must be in by next Monday, when I'll choose a winner, who will receive his or her choice of any item or a portrait to be included in the final HeroMachine 3 program, or a "Sketch of the Week" style black and white illustration.
Posted onOctober 11, 2010|Comments Off on Character Contest 46 Winners!
I was really impressed with the entries for Character Contest 46 (Clerics), you all did an outstanding job. As a result, we have a lot of Finalists to go through, so I want to get right to it.
Before I do, though, we have some unfortunate business to address. I was unable to count the following entries due to bad links that went to a jump page instead of directly to the image:
GuyDiga: #127;
Mindless: #115;
Daniel England: #104, #77;
Asher: #79, #85;
FelipeSCard: #144;
Samurai Pineapple: #162, #158, #157
Remember, for ImageShack or PhotoBucket, you want the link listed in the "Direct Link" box over on the right or left, and NOT the URL from the address bar of your browser. I couldn't even get PicasaWeb to load this morning to tell you want link to use, but I think the way to do it there is to right-click on the image and use "Copy Image Location".
Posted onOctober 9, 2010|Comments Off on Jack Kirby Museum Videos
The Jack Kirby Museum's YouTube page has some great footage of the King discussing his various creations. In light of the upcoming film, I thought you might enjoy hearing from the man who helped create him had to say about the (re)invention of "Captain America":
What strikes me whenever I hear one of the greats talk about the early days of the industry, as Stan Lee did at Dragon*Con this year, is how inseparable this great creative enterprise is from the relentless drive of free enterprise. I remember Stan saying something like "If I didn't have someone telling me we needed a new character, I'd never have come up with a single one." Or Kirby, here, saying basically that he needed a job. These guys worked for a living!
I think later generations of comic book creators and fans have a somewhat fuzzy-headed, idealistic view of what the entire process is like. We focus on the "artistic" ideal too much, putting the artists and writers at some kind of higher plane of existence, living in ivory towers thinking lofty thoughts and being struck by the Muses to pass along the rarefied fruit of the gods, as if what they do is so pure and incredible that it should be completely unsullied by the mundane and crass concerns of everyday life.
Baloney!
Yes, Kirby and Lee and the rest wanted to do something creative, but mostly they needed to put bread on the table. And they got paid not by how lofty their motives, but how successful their products were commercially. Kirby cranked out more pages and more ideas than almost anyone else in comics history. To call him prolific is like saying the Pacific Ocean is a bit damp. But he wasn't a tortured genius driven by inner demons, he was a guy trying to make a living the best way he knew how.
Stan Lee was the same way. By his own admission he wasn't really an "out of the blue" idea man, with concepts just bursting into his brain. He had to have an assignment, a "job" to do. And he did it incredibly well, but it was driven by the need to produce income.
Gil Kane loved cowboy comics. That's what he grew up with and what he wanted to do more than any other commercial art. But super-heroes are what was selling, so that's what he did. I'm glad for it, because his Green Lantern made me fall in love with the character, and we all benefit.
Legendary Batman artist Neal Adams is a working illustrator. He does everything from roller coaster design to toothpaste commercials. He draws Batman because he's good at it and it pays well, but he's a commercial artist.
I think fundamentally that's what is at the bottom of some of the disdain the art world has for comics creators. As an art form rooted first and foremost in the world of capitalism, I think they feel it's sullied or dirty somehow, not worthy of being "real art". Such an attitude is as misinformed as it is foolish. That these great innovators needed to put food on the table no more makes their comics "just" commercial art than the fact that Michaelangelo got paid to do the Sistene Chapel makes it a billboard.
Phew! Didn't mean to rant on like that, my apologies.
Go watch some Jack Kirby videos, dammit, and have a good weekend!
Three middle-aged nerds (including yours truly!) review all of the MCU movies in chronological order. Short, funny, and full of good vibes, check it out and let us know what you think!
Nerdmudgeon.com