Yearly Archives: 2008

Random Panel: How bad does your breath have to be to get action lines?

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Caption Contest 27: Crack is WHAKT, baby!

The Mighty God King is deciding now on the winner of Caption Contest 26, but while we tremble in fear awaiting his selection we can go ahead with Caption Contest 27. In keeping with Rob Liefeld Week, I challenge you to come up with the funniest possible dialog to put in the balloon of the following Rob Liefeld Panel:

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You can tell it's a Rob Liefeld Panel because a) there are no feet present, b) everyone's mouth is at an anatomically impossible angle and c) there's no background. What will differentiate it this time around, however, is that you are going to make it at least have funny dialog. As always, here are the Three Laws of Funny Captioning:

  1. A maximum of three submissions per person.
  2. Entries should be made in the comments to this post.
  3. Keep it clean, appropriate for a prime-time network sitcom broadcast only, you know, funny.

The winner will receive a free custom black and white illustration by yours truly of whatever they like (within reason), so get that Funny Cap on and get busy!

META: Rob Liefeld Week

Just as a note, everything I post this week (except for the Improv Comic yesterday and the caption contest winner from last week) will be related in some way to Rob Liefeld. You may leave your feet at the door.

Random Panel: Considering you're drawn by Liefeld, that's gonna be pretty stupid indeed

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Improv Comic: The first adventure of Stonewall Jaxon, PI

Last week you all voted on the elements that would make up a comic book, like an audience shouting ideas at an improv comic troupe. Today I give you the first part of that collaborative effort, a story I've called "Stonewall Jaxon in 'The Case of the Trekky Time Snatch'". I'll be working on the conclusion this week. The issue is after the jump, and be warned -- it's about 330KB in size, so if you're on dial-up it might take a minute or two.

Before I get to that, I wanted to say just a few words about the experience. First, creating a comic based on people voting on various random options (the results are here) is pretty fun. Coming up with a story and being forced to incorporate certain elements out of my control was a great challenge and I'm happy with the way it's going so far.

Second, creating comics is hard work. I wasn't going 100% on this due to all of the other responsibilities of the job, but still, most of my working time the past seven days was devoted to this project. And I only got three pages done. Granted, I also had to write the issue, and also granted I haven't ever done this before, but still, that's slower than I thought it would be. It's given me a new level of respect for the folks who do this for a living.

Third, I understand why the Rob Liefelds of the world get pushed into leaving out backgrounds. They're a ton of work and you don't feel like they really do all that much. I mean, background is pretty much synonymous with "unnoticeable". But I realized a funny thing while doing this -- if you don't draw it, it's not there. All of those little bits of scenery like trash or bricks or clouds, the page doesn't start out with those already there, waiting for you to draw the interesting stuff.

Finally, I drew all of this in Flash, using a template I created based on the ones available online for comics creators. I did this so that the whole issue would be in vector format, able to be output either for web resolution or for print. If it were ever to be colored you'd have to lose that flexibility, as the coloring would need to happen in a bitmap program like Photoshop, but at least the original ultra-high resolution lineart would still be available.

Now I hope you'll join me after the jump for my very first effort ever at a comic book, and as far as I know, the first publicly-generated Comic Book Improv!

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Random Panel: I've also got you scheduled for a crotch-kicking at 2:30

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Poll Position: One shots

So here's a question for you:

{democracy:45}

The key here is that you get the character's entire power set, but you can only use each power once. Do you choose someone with lots and lots of powers, none of which is crazy awesome, or someone who can do only one or two things but at a massive scale? Plus you have to factor in whether you're of a chaotic or orderly bent -- would you use your power(s) for personal gain, or to help others? Here's my take on each of the options, let me know yours in the comments!

  • Deadman: Basically you'd be able to become immaterial and take possession of one other person for a few hours, at most a day or two. The question would be who you should take over, and what you would do as them. For instance, you might take over a multi-millionaire, withdraw several million dollars, and stash it in a secure location. When the guy wakes up he won't remember anything from the time you were in charge, meaning no one will know when you go nab the stash.
  • Hulk: The choice for those who just want to cut loose and wreak havoc for a few hours. Not my cup of tea, but I know a lot of people like it.
  • Jean Grey: A broader power set than the first two on the list, you'd be able to read someone's mind, use TK, and a couple of other juicy bits. To some degree this choice depends on whether you're thinking of early X-Men Jean Grey, or Dark Phoenix-era stuff. Snuffing out suns is heavy sauce, but on the other hand it'd be nice to be able to read your spouse's mind and have a real heart-to-heart conversation about a few things, you know?
  • Martian Manhunter: Many useful powers is the main draw of J'Onn J'Onnz. Flying would be an absolute trip, and shape-shifting would have some real possibilities. You could be super-strong for a while, and dematerialize to phase through the occasional wall. You also get telepathy, though not as powerful or far-ranging as Jean Grey's.
  • Spiderman: Let's face it, slinging your way through New York looks like awesome fun.
  • Superman: The granddaddy of all super-hero power sets, there's not a lot Superman can't do. But it's all physical -- how much good are you going to get out of a blast of super-cold breath?
  • Thor: The main power here that appeals to me is storm mastery. Imagine if you could have told Hurricane Katrina -- or now, Gustav -- to turn into a pleasant shower. You'd have an incredible opportunity to save lives. As a bonus, you'd get one free trip to Asgard or some other crazy dimension, which is kind of neat.
  • Wolverine: My main thought here is to save his mutant healing factor until you're like ninety years old. Turn it on and voila! You get another 90 years and a fresh young body to boot. Hard to beat that. Alternatively, if you get hit by a bus tomorrow, you've got a "Get out of Death Free" card, which also doesn't suck.

Random Panel: Words fail me

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(hat tip to Ye Olde Buncheness)

Random Panel: Dude, I feel the same way about Andy Dick!

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CRASH!

I think this is a lovely bit of onomontoPOWia, from the pages of the freshly-mocked "Haywire":

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This just goes to show that you don't need crazy coloring and Photoshopped filters to get a great effect. This scene is part of a flashback the main character is having, and the choices the art team made are really spot-on. The way the black CRASH blends in with the muted palette is perfect, and the breaking-glass jagged lines echoing the door smashing in is great. The sound fits with the room as it would appear in the witness' memory twenty years later -- somewhat muddy (perhaps why he chose that color scheme for his armor?), all blended together, and somber.

I spend more than my share of time making fun of things here, but mostly that's because the medium has such rich possibilities I hate to see them not taken advantage of. This panel shows, in my opinion, some of the power of comics to convey a mood and set a scene. Very well done.

(Image from "Haywire", Vol. 1, No. 1, ©1988, DC Comics, Inc. Michael Fleisher, writer; Vince Gerrano, penciller; Kyle Baker, inker; John Costanza, letterer; Bill Wray, colorist.)