HeroMachine Character Portrait Creator

Having a few issues loading pix onto the blog due to satellite internet service interruptions. The results of this week's Pop Quiz will be posted when the connection improves.

Time for summer fun in the sun! Your challenge this week is to design a bathing suit! Surf’s up so ride the Heromachine wave to victory!

You only get one entry so be creative, and above all else, have fun!

All entries must be in JPG or PNG form (BMPs are too big), posted to a publicly accessible website (like the HeroMachine forums,ImageShack, PhotoBucket, or whatever);

• Entries must be made as a comment or comments to this post, containing a link directly to the image and the character name;
• The image must be new and designed specifically for the Pop Quiz;
• Please name your files as [your name]-[character name].[file extension] before you upload it. So DiCicatriz, for instance, would save his “Bayou Belle” character image as DiCicatriz-BayouBelle.png.
• Please make the link go directly to the image (like this) and not to a hosting jump page (like this). See this post on how to get the direct link for most sites.

Contest closes Sunday, July 21 at 9:00am eastern.

Alexandra Byrne

Costume Designer

Oscar Winner: Elizabeth: The Golden Age

Biography:

2014 300: Rise of an Empire (filming)

2012 The Avengers

2011 Thor

2008 The Garden of Eden

2007 Elizabeth: The Golden Age

2007 Sleuth

2004 The Phantom of the Opera

2004 Finding Neverland

2001 Captain Corelli's Mandolin

1998 Elizabeth

1996 Hamlet

1995 Persuasion

1993 The Buddha of Suburbia (TV mini-series)

Wizard World Interview Excerpt:

Q: With Thor and with The Avengers, a lot of people
have fantasies about being super heroes. You might tie a red towel around your neck when you’re a kid and say you’re Superman, or you might cosplay as a adult. But you’re making the costumes to be real, working outfits. What was that like?

A: Well the great things is that I was working with a lot of people who are absolutely experts in that field. I hadn’t read the comic books before coming to Thor, so in a way the combination of somebody who’s a complete novice, therefore, will question things and not be burdened with the baggage of you “He has to have this or he has to have that.” It’s a good combination to work with people who are so steeped in the world, so it means there’s good dialogue and I’m not afraid to ask questions.

It can be difficult. You’ve got a guy with long blonde hair with a red cape swinging a hammer. You can’t pretend it’s not a challenge, but equally, one of the great things about costume design is that you have the actor, and you have costume. I always maintain that the actor, their very being, their physicality, their proportions, how they move, bring a huge amount to the design process, quite apart from their own part as an actor. It’s, it’s about making a body, a physicality work on camera. Chris Hemsworth is amazing. And the moment he steps in the room you think, “Ah, he’s Thor.” And you’re working on something and you’re solving how to translate the costume to him.

The red cape was interesting. That’s a real practicality. We did a lot of work, did a lot of prototypes. And the result in the end is, I mean again, what I love about the process is that I could not have on day one said “The cape is going to be made of this and it’ll be like this.” You evolve and you grow with it. And the solution is it worked. It was amazingly un-high tech in its execution, but it was right. So it’s all in combinations, but maybe that cape with the textures and the way it was made wouldn’t have worked if the suit hadn’t been made. It’s a combination of information and sometimes it’s contradiction and a juxtaposition that adds up to the whole costume.

My question this week is, what is the best comic book story ever written and why?

By story I mean a single storyline, it doesn't have to be confined to a single issue or even a single comic, but it must be a resolved storyline (e.g. The Dark Knight Returns). I'm being  vague here because it'll be interesting to see what you guys come up with.

Personally I'd nominate V For Vendetta, because Alan Moore is a genius and I'm biased for V over Watchmen (the more acknowledged of his two great masterpieces) because it's set in Britain so I relate to it better. The best thing about both these stories is that they have so many layers, an inbuilt depth that can only be created by great authors. Both are political and violent but under the surface there is a heart, a hope that the human race is capable of better.

That's my (surprisingly short) say, so now you guys can have yours.