Clown Pop Quiz Results

Thanks to everyone who took up the last Pop Quiz, which challenged you to come up with a cool clown. Unfortunately the entries by Kellkin and Shadowmancer weren't named properly and won't count. But, here they all are:

There are some great ones in there, but I'm going with Harlequin's on this one.

Thanks again, everyone!

30 Characters Challenge #4: Tommy Two-Top and Tripod

"30 Characters in 30 Days Challenge" number 4, Tommy Two-Top and Tripod:

30 Characters Challenge #3: Madame Brouillard

Day 3 of the "30 Characters in 30 Days Challenge", Madame Brouillard:

Pop Quiz: Clowning Around

Quit clowning around and get busy!

I thought after Halloween we could use a little cheering up, so your one-day challenge this week is:

Make an awesome clown in HeroMachine 3!

Happy clown, funny clown, scary clown, evil clown, you name it, just make it great. You can do just a face, just a head, just the clown, or a whole scene, whatever you like.

You only get one entry -- that's right, just one! So make it your best. Most of the other rules are the same as for a regular challenge, but instead of a whole week I'll announce my favorites some time tomorrow. Here's how to make an entry:


(Click to embiggen.)

I'll pick one entry as my personal favorite, which will get to be featured in the side bar to the right for ultimate glory! As a bonus you're allowed to say you won the Internet for a few days.

Good luck!

Meals are a lot less fun when you can communicate with them telepathically

30 Characters Challenge #2: Space Soldier On Break

I can't say I like this one as much as the first, but it is what it is. Here it is on the challenge site, and here's the original:

Earning the Mantle

Earning the Mantle

By: Andrew Hines

Holy salted anchovies, there's been a lot of stuff going on for Arthur and company. This has been a much darker, more aggressive book than most in the New 52. It's not as dark as others like I, Vampire or Swamp Thing, but it's a hell of a change for Aquaman. This is a wrap up of the Others story arc. Bringing together Arthur's original team, this has been a wonderful run. We see Arthur finally confronting Black Manta and getting to the root of his anger. Before I start sounding like Dr. Phil, after that comment, I want to get into the actual review.

Geoff Johns has continued to do the unthinkable by making Aquaman a true badass and a hero of his own accord. The first part I should tackle was the pacing, which was perfect. Usually we see it go close to what the story should be or it'll sort of ebb and flow. Here, however, the story hits every marker right on time. The dialogue is great, without having too much or too little. The character interaction, especially between Aquaman and Black Manta is awesome. Everyone seems to play their parts perfectly and no expository stone is left unturned. Thankfully he didn't use a bulldozer to do the turning, though. The story is a fantastic conclusion to The Others storyline.

The usual art team is intact for this issue, with Ivan Reis on pencils, Joe Prado taking care of inks and Rod Reis doing the coloring here. The art is spectacular. It may seem like I'm being overly optimistic, but this team makes my definition of fine art. You can see it on the cover just as well as on the interior pages, such as the one at right. How many other art teams can capture the emotion and inherent danger of the storm raging on this page? The effects, such as the rain hitting Arthur's back and shoulders, are brilliant. It feels like a still from an action movie. The only way it could be more picturesque is if it were illustrated by Alex Ross. I really can't say much more about this, except that the colors are as fantastic as the line work.

This deserves an "A+". I have trouble finding anything wrong with this and looked through this with a fine-toothed comb. It's Aquaman. I wanted to find something that didn't work, but there was nothing. The ending was great and really made it seem more like a movie. I can't wait for the trade so I can read/watch the story in its entirety. Go out and buy the whole series if you haven't started on this.

Open Critique Day #49

My full-time (non-HeroMachine) job might keep me from actually getting to these before this evening, but it's time for another Open Critique Day!

If you have a HeroMachine illustration or another piece of artwork you've done that you'd like some help with, post a link to it in comments along with your thoughts on it -- what you think is working, what you're struggling with, etc. I will post my critique of the piece, hopefully giving some tips on how to improve it.

Of course everyone is welcome to post their critiques as well, keeping in mind the following guidelines:

  • Make sure your criticism is constructive. Just saying "This sucks" is both rude and unhelpful without giving specific reasons why you think it sucks and, ideally, some advice on how to make it better.
  • Each person should only post one illustration for critique to make sure everyone who wants feedback has a chance.
  • I will not critique characters entered in any currently running contest, as that doesn't seem fair to the other entrants. You can still post it if you like for the other visitors to critique, but I will not do so.

That's it! Hopefully we can get some good interaction going here and help everyone (me included!) learn a little bit today.

In retrospect, "Cosplayers Anonymous" was a bad idea

(From "Cat-Man Comics" volume 2, number 5, 1941.)

More Power!!

More Power!!

By: Andrew Hines

If you've read Superman: Earth One already, you'll understand when I say that this is a worthy follow up to that first volume. Not only did it give us an updated origin for the Man of Steel, but we got to see what some of his other job options were. In this we get to see Superman and Clark both develop as people. There are some moral choices he'll make that may leave you stunned. There's a classic villain in there that many should instantly recognize. Even the question Superman vs the bedroom is tackled. That alone gives one of the greatest lines in all of recent comics.

That brings us to the writer of this fine piece of graphic novel goodness, J. Michael Straczynski. The starting point of this issue is quite clever and the way that Clark is depicted is interesting. The way that he depicts Clark in his younger years is probably the best way the character's been handled in the last few years. The character interaction overall is good, with everything being sort of tied together. The best part is that you don't really get that feeling until the very end of the book. It's not entirely "true" to the characters as Jimmy acts slightly more confident than he's typically written. Lois and Perry, however are probably written better than  they have been in the last ten years if not longer.

The pencils from Shane Davis are awesome, and make up a fantastic base for Sandra Hope's inks. Even uncolored, this would be wonderful art. Barbara Ciardo's colors work well and actually give us really cool lighting effects. Than can be seen in the electricity that Parasite is daring from the room and the lighting on Superman's face, arms and torso. Davis' design for Parasite is a great treat by itself. Especially in his powered-up state, he really looks like the classic villain. I'm just happy that they did away with the white stripes on his costume, which I never really understood anyway. I can't really say enough about the art in here, but I don't want to seem redundant. Suffice it to say that the art is as good if not slightly better than  Volume 1.

The graphic novel gets an "A", partly because it gives us samples of what would be both Clark and Lois' writing styles. That was always what helped make some of my favorite Superman stories. Really the fact that everything comes about as being sort of tied together or at least contrasted with an other piece of the story is fantastic. This, above almost anything else in DC, I urge you to go buy. If you don't have Volume 1, get that first and then buy this.