Insert obligatory "Never serve beans at lunch" joke here

(From "Cat-Man Comics" volume 2, number 5, 1941.)

The Next Chapter

The Next Chapter

By: Andrew Hines

I was hesitant to pick this up because I love Iron Man so much. I didn't want there to be any huge changes, especially to the suit. The thing is, that once I started reading it, it was really fun. I actually really like the new suit. It's a mix of Iron Man and War Machine armors, which is awesome. They're really making Tony more like he was during the Extremis story, very aware of what his armor could be used for, rather than making him the arrogant douche, though somehow lovable douche we've seen in the movies. This is a switch that needed to happen lot sooner. When I first heard about the Marvel NOW! titles, I didn't have a whole lot of faith in them, but that may change in the next month, starting with this title.

The writer we have here is no stranger to the Marvel Universe. Kieron Gillen is a wonderful writer and while he doesn't shine quite as brightly as he did on last year's Uncanny X-Men, he's still starting off pretty well. He gives us a new look and fairly classic insight into the mind of Tony Stark. The greatest part of the writing is that we see all of the reasons we love and hate Tony Stark and the reasons that the Marvel Universe can't live with or without Iron Man. As many things as he's made to aide the world, he's got an equal number that may destroy it. Gillen reminds us of that from the start. He pulls no punches, though he may have started swinging a bit before the bell.

Artist Greg Land has contributed to the pencils on this first issue. There are a lot of great moments, but one of the first pages, with Pepper Potts in the club, just doesn't feel right. It's mostly the facial expressions and Pepper in a dress. Then there's the inks from Jay Leisten that work well. The inks are good, though the issue doesn't require a lot of it, unless you count the black parts of the armor. The colors from Guru Efx are just fabulous. I mean, look at the metal forming the suit like that. That's just freakin' awesome. Really, the only bad thing about the art is the weird facial expressions I mentioned earlier.

This is a surprisingly good issue, considering. I give it a "B+". The writing is great and most of the art is awesome. Having whole pages that look off, however takes a bit away from the grading of the whole issue. I recommend it if you're not too weirded out by the change in armor.

META: Slooooow

I'm in California all week for work, which is why posting has been slow and late. My apologies.

30 Characters Challenge #7: Stronger Man

This is the son of a friend of mine in his "Stronger Man" costume, along with trusted sidekick Mousey for Day 7 of the "30 Characters in 30 Days" challenge.

The best response in any crisis

(From "Cat-Man Comics" volume 2, number 5, 1941.)

30 Character Challenge #6: Kai-Sar

Here's my entry for Day Six of the 30 Characters in 30 Days Challenge, alien ruler Kai-Sar:

Stephen King vs. Alan Moore: Who's best?

I would bet I am not alone, at least among my United States readers, in desperately looking for a place to avoid politics today. So instead of forcing you to hash out tired arguments about which part is better, I instead offer you the following creative conundrum: Who's a better creator of speculative fiction, Stephen King or Alan Moore?

King is one of the greatest supernatural writers of all time, having sold over 350 million copies of his books. His work has been turned into television productions, movies, and comics. He's won awards from pretty much every writing group out there. You may know him from such works as "The Stand", "The Shining", "Carrie", and many, many more. But he's also moved outside of purely speculative fiction to write such masterpieces as "The Shawshank Redemption" and "Stand By Me".

Alan Moore is best known for writing comics, and arguably is the genre's greatest modern storyteller. He's responsible for stories that have made the leap from the four color page to the world of motion pictures, from "The Watchmen" to "V For Vendetta" to "From Hell" to "The League of Extraordinary Gentlemen". He's controversial, dark, effective, and phenomenally successful.

So which of these two literary titans gets your vote today, and why?

[polldaddy poll="6668506"]

Fists are American poison?

(From "Cat-Man Comics" volume 2, number 5, 1941.)

30 Characters Challenge #5: Cap'n Blight

Caption Challenge 133: On the Internet, no one can hear you scream

It's time for another new Caption Challenge! This week you're tasked with coming up with the best replacement dialog for this comics panel:

I'll pick out some as my personal favorites to highlight in a post next Monday, and then I'll choose one of those to bear the standard as the "Featured Creator of the Week" atop the right column.

All entries must be left as a comment (or comments) to this post. Keep ‘em clean (appropriate for a late-night broadcast TV show), but most importantly, keep ‘em funny!

No limit to entries, but please, self-edit and only put up ones you genuinely think are good!

(Original image from The-Gutters.com.)