Monthly Archives: October 2012

Pop Quiz: Jack-O-Lantern

It's Halloween Weekend in the U.S., and while last week I challenged you to make a mask, this week I'm inspired by Blue Blazer's nifty Justice Pumpkin. So I'm tasking you to:

Make your own Halloween Pumpkin in HeroMachine 3!

If you don't feel like making your own basic pumpkin shape, there's one in Head-Zombies (both with and without pre-cut eye, nose, and mouth openings). If you prefer an alternate pumpkin shape, one of the tips in Hammerknight's recipe card from a while back might come in handy as well.

You only get one entry -- that's right, just one! So make it your best. Most of the other rules are the same as for a regular challenge, but instead of a whole week I'll announce my favorites some time tomorrow. Here's how to make an entry:


(Click to embiggen.)

I'll pick one entry as my personal favorite, which will get to be featured in the side bar to the right for ultimate* glory! As a bonus you're allowed to say you won the Internet for a few days.

Good luck!

(*For very narrow definitions of "glory" only. See box** for details.)
(**There is no box.)

I had a hunch he'd say that.

(Hunch, Igor, see what I did there?! Apparently I've been thinking about "Young Frankenstein" in light of Frankenstorm too much. From "Cat-Man Comics" number 2, 1942.)

Avengers vs Punisher

Avengers vs Punisher

By: Andrew Hines

We've seen a lot of the Punisher over the last decade or so. He's had major resurgence after being little more than a rage outlet for close to 40 years when he was introduced in the pages of Amazing Spider-Man #129. He's evolved as a character, somewhat, but his intentions have never wavered. He's still a killing machine and I don't believe that will ever change. That's where we are now. The heroes are at the ends of their collective ropes, Spider-Man especially. He enlists the help of the Avengers to stop Frank Castle once and for all. That's as much as I can say here. Now, on with the review.

Greg Rucka has penned a possible masterwork in the first issue of this five-part limited series. The best part of it is the attention to the story itself rather than simply making it another shoot-anything-that-moves Punisher comic. Whether you've been following Punisher since your momma let you read the big boy comics or if this is your first venture into Frank Castle's world, it's a great place to start. The pacing is fabulous. The dialogue is amazing and character specific. Rucka doesn't give Spidey his usual fight one-liners or witty banter, though there are a few little niblets of that. You can definitely tell that he's had enough. I know I say this from time to time, but the character interaction, particularly with Spider-Man and the Avengers, is phenomenal.

The art by Carmine Di Giandomenico is awesome. I mean, really. It's dark, both in terms of style and lighting. It's just so incredibly fitting that it's awesome to see. I mean that in the truest sense of the word. I am in total awe of the pages. They may not be the most crisp, clean lines anyone's ever seen but they're exactly what the story needs. The inks are heavy in al of the right places, adding more to the necessary shadows. Matt Hollingsworth's colors are great. Again, they're dark, the shading is great and the lighting is just magic. These two combine to make something stunning. I mean, it's sort of hard to see it from just this page, but it's the most I could show without a spoiler or three.

For all of that and more, this comic get's the rather unusual "A+" grade. The writing, the art and the characters themselves make this a can't-miss series if you are a fan of the Punisher, Spider-Man or the Avengers. To give you more incentive, it's even a dollar less than the usual Marvel stuff with its price tag of $2.99. What are you waiting for? Go out and get it.

Sharing Day: Your Feedback

For today's Sharing Day, I would like to ask you to sound off about three things:

  • Your overall opinion about the blog portion of the site -- are there things you enjoy, things you hate, things you want to see done differently? Basically anything you want to say about the non-app part of what we do here.
  • Your opinion about comic-book reviews McKnight57 has been posting. Are you interested in what's currently being published in the comics world or are you indifferent?
  • What is your favorite Seinfeld moment?

If you respond to all three, you can request a One Minute Sketch of whatever you like, and I'll do a sketch in one minute or less of it and post it as a comment.

Ready, set, SOUND OFF!

Clearly super observation skills are not his forte´

(From "Cat-Man Comics" number 2, 1942.)

A Change Is Gonna Come…Right About Now

A Change Is Gonna Come...Right About Now

By: Andrew Hines

If you've read Superman in the last year, you know Big Blue's been through a lot. Let's review. He's faced a being made of fire, an invisible alien monster, a being made of ice and face-off with Helspont. Then there was the whole "visitor from another dimension thing and another run-in with Helspont, which really didn't go too well. To top it off, Lois is in a relationship. That one sort of worked out well, though. After all, it made him available for Wonder Woman.

Scott Lobdell's giving us good writing here. The intro we've seen in all the other comics this week and last is a good start to the issue and brings us a few new developments to the character. The pacing is good, considering the event it's leading into. The dialogue is good and yes, there's a lot of it. Not as much as a Georg Perez script, but still a bit. This shouldn't be surprising though, given that Clark Kent is a newspaper reporter. He's got a lot to say and not just on paper. The writing overall is good, better than Superman's been in a long time.

The art is as good as any Kenneth Rocafort has ever done. As both artist and inker, he does a great job. The designs of Dr. Shay Veritas' suit (right) looks pretty cool. He brings his great eye for costuming to this issue. Then there's all the machinery in the first few pages which is pretty complicated. There's even the panel layouts that are sort of cool. The colors from Blond are pretty good too. He seems to have a unique style that he brings. There's not a lot of really deep color, but you can definitely tell where the light really hits. Some parts are rich and the appropriate areas are more muted. The only really bright parts on the intro pages are her hair and the "shield" on his chest. There's even a little bit of shine in his hair that we don't generally see. The art here really is just that good. These frequent collaborators do a great job on one of the most hit-or-miss books in the New 52.

The end result is one of the best issue of Superman since the reboot. I gig it an "A-", based on the writing and the art working so well together. As with all of Rocafort's work, it's consistent and portrays exactly what the writer seems to want it to. I can say there'll be a big change to the Superman status quo in this issue, but I can't reveal more than that without a pretty massive spoiler. With that being said, go pick this one up or read it online.

We're dead.

With only one entry in our "You're Going To Die" series, I think we will have to call a halt to the endeavor. I really enjoyed it, I just wish it had picked up more momentum and participation. Oh well. Thanks to the handful of folks who were chiming in and / or following along.

Feel free to use this space to discuss why you think it didn't work, if we should keep doing something like it, or if we should go back to a generic "CYOA" story. Or if we should do nothing at all.

And wear a stewardess uniform! Something pretty.

(From "Cat-Man Comics" number 2, 1942.)

Human projectiles

Having a big gun is great if you're a comics fan because big guns are cool. But guns can be taken away, which is not cool, because then how can you shoot things? Luckily a grateful comics nation long ago arrived at a solution for this conundrum -- make a gun out of yourself! The glorious breakthrough is exemplified in this Guy "Extreme Nineties Spokeslantern" Gardner cover:

This isn't really a "costume" per se, but it's definitely "bad" and he's a "super" if not necessarily a "hero". And "scare" quotes are "scary" and "irritating".

But aside from the obsession with guns so intense it causes you to actually become a gun, and ignoring the spikes (EXTREME!!) and Unhinged Giant Snake Jaw (©Image Comics), what really bugs me about all of these integrated biological firearms (get it, fireARMS?) is, what do they shoot, exactly?

I'll pause while you think about this.

The only stuff it can fire is stuff that the body itself creates. So at the end of an extended firefight this guy ought to be a withered husk lying smoking on the ground. Granted, there is precedence for humans creating excess material but most of it is disgusting. Which is a nice way of saying that if Guy Gardner comes after me with his giant gun arm shooting snot bullets at me, he wins on gross-out points alone. But I'd sure kick his ass first, because that's just wrong.

The Pumpkin of Justice!

Genius creator Blue Blazer just sent me these awesome photos of his Justice League inspired Halloween pumpkin carving. He did these himself and I think they turned out great! At least, if I were an evil spirit or hulking zombie thinking of invading a house protected by a pumpkin like this, I'd certainly move along to someone less intimidating.

Click any one of these to embiggen in a slideshow.