I am criticized from time to time for not doing more positive stories (a very fair criticism, I hasten to add), so I wanted to share this example of comics done exceptionally well. It's from a daily comic strip that predates even my ancient time called "Gasoline Alley" by Frank King. In its day it was as big as Spider-Man or Superman are today. But what caught my eye (thanks to a friend on Facebook) is the way the shadows define the forms here without requiring actual outlines:
The last two panels are just breathtaking in their elegance, simplicity, and effect. You barely notice that the figures are made of nothing but shadows and negative space, a wonderful rendering technique just on its own. But the magic of comics comes from the way the effect works with the dialog to enhance the sense of foreboding the creator is striving for. There is beauty in their upcoming marriage just as there is beauty in the forest, but some darkness awaits as well. Either the words or the art by themselves are still good, but when combined they achieve a kind of beautiful synergy that only comics can provide.
(Original artwork and a great essay are from "Hooded Utilitarian".)