Comments on: Reason #12b: More bad thievery

By: dens

dens — Wed, 10 Aug 2011 12:23:51 +0000

is Cap Yelling for Zemo to rescue him? Or because he didn’t find him yet? Because he doesn’t seem to be heading toward him at all…
Also I think Steranko/Frey had Cap going headlong in his oponents with all his might while Rob gets Cap kicking and punching in two oposite directions at once which prevent either strike to have ant strength … (especially without grounding to the floor …

By: Nicholas/GtaMythMaster43

Nicholas/GtaMythMaster43 — Sun, 21 Nov 2010 23:34:21 +0000

wow…this guy is a hack if I ever saw one.

By: remy

remy — Wed, 26 Aug 2009 21:46:39 +0000

http://marvel.com/news/comicstories.9303.FIRST_LOOK~colon~_Deadpool_%23900_by_Rob_Liefeld

check out the preview pages and you can see, he has not improved when it comes to drawing swords

By: HalLowEn JacK

HalLowEn JacK — Mon, 06 Jul 2009 23:32:18 +0000

Original = Dynamic action scene with heroic character engaging in bad-guy asskicking

L:iefield’s version = Cap’n being thrown clumsily away from the reader by unsee assailants who are obviously more powerful than the Cap’n.

Cap’n America = symbol of America’s military and self-appointed-moral superiority. Cap’n america kicking ass reinforces this view. Capn america being beaten easily suggests America ain’t all it’s propoganda cracks it up to be.

Therefore Liefield’s depoiction of the cap = sedition and anti-America sentiments at least, possibly treason if it can be proved that he did this knowing it’s potential to influence the minds of future generations.

ARREST ROB LIEFIELD FOR TREASON!

By: thejay

thejay — Sat, 04 Jul 2009 00:53:18 +0000

I’ve heard there’s another rule about the optics of comics: the dynamics in the panel must flow in the reading’s direction (I know this because I’m israeli, and hebrew is written from right to left, and thus our comics too). Frey and Steranko had balanced their seemingly “backwards” panel (Cap is thrown against dynamic direction) with that gunfire zooming across the panel. Imagine that red\yellow stripe weren’t there. Why imagine? You have Liefeld demonstrating that for you. Now don’t you miss that gunfire zooming off to the right?

By: Mr. Q

Mr. Q — Fri, 03 Jul 2009 22:06:41 +0000

*looks at Liefeld’s rendition of Cap* Dear God! Put a wallet under his tongue. ;P

Rob, don’t ever try to match or top the masters. Especially Jim Steranko.

Mr. Q

By: Skiriki

Skiriki — Fri, 03 Jul 2009 20:58:44 +0000

Joy! My Friday is saved! Yay!

Seriously, the BEST part of this series is the lecture of “why this is wrong”, because it gives a better insight to the fine art of comics.

By: Jeff Hebert

Jeff Hebert — Fri, 03 Jul 2009 20:24:20 +0000

I wanted to point out that even in Steranko’s version, there’s enough room between the bottom of the foot and the panel border to accomplish the same thing as Frey’s layout. The big problem with Liefeld’s is that the foot is connected to the thug who’s smashed into the border. That connectedness is what stops the action. Give enough freedom around the foot and you’re fine.